Moonspell Discography 1994 2008 Flac

Moonspell: A Journey Through Gothic and Dark Metal (1994-2008)

Moonspell is a Portuguese band that has been one of the most influential and innovative forces in the gothic and dark metal scene since their debut album Wolfheart in 1995. Their discography spans over 13 albums, including live and compilation releases, and showcases their evolution from folk-influenced black metal to atmospheric and experimental sounds. In this article, we will review their discography from 1994 to 2008, covering their most acclaimed and diverse works.

Under the Moonspell (1994)

This EP was the first official release by Moonspell, after their demo Anno Satanae in 1993. It contains three songs that blend black metal with folk and oriental elements, creating a unique and dark atmosphere. The EP was reissued in 2001 by Adipocere Records with a different cover art and two bonus tracks from the demo. The EP is considered a cult classic by many fans and critics, and shows the potential of the band in their early days.

Wolfheart (1995)

The debut full-length album by Moonspell is widely regarded as one of the best gothic metal albums of all time. It features a more refined and melodic sound than the EP, with influences from doom, death and classical music. The album explores themes of paganism, vampirism, love and death, with lyrics in English and Portuguese. The album was produced by Waldemar Sorychta, who would become a frequent collaborator of the band. The album includes some of their most popular songs, such as Alma Mater, Vampiria and An Erotic Alchemy.

Irreligious (1996)

The second album by Moonspell is a masterpiece of dark metal, combining heavy riffs, haunting keyboards, powerful vocals and catchy melodies. The album is more diverse and experimental than Wolfheart, incorporating elements from industrial, electronic and symphonic music. The album deals with topics such as religion, sexuality, madness and death, with lyrics in English, Portuguese, Latin and Spanish. The album was also produced by Waldemar Sorychta, and features guest appearances by Birgit Zacher and Martin Walkyier. The album includes some of their most iconic songs, such as Opium, Ruin & Misery and Full Moon Madness.

Sin/Pecado (1998)

The third album by Moonspell is a controversial and daring work, that marked a radical departure from their previous style. The album is heavily influenced by electronic music, especially trip-hop and ambient, creating a minimalist and futuristic sound. The album also experiments with different vocal styles, such as spoken word, rap and crooning. The album explores themes of sin, guilt, pleasure and redemption, with lyrics in English, Portuguese and French. The album was produced by Pedro PaixÃo, who joined the band as a keyboardist and songwriter. The album received mixed reactions from fans and critics, but is now considered a cult classic by many.

The Butterfly Effect (1999)

The fourth album by Moonspell is another experimental and challenging work, that continued the electronic direction of Sin/Pecado. The album is inspired by the chaos theory and the butterfly effect concept, creating a complex and unpredictable sound. The album mixes elements from industrial, techno, metal and rock music, creating a diverse and eclectic sound. The album deals with topics such as science, technology, violence and alienation, with lyrics in English and Portuguese. The album was produced by Andy Classen, who also worked with the band on their demo Anno Satanae. The album includes some of their most aggressive and chaotic songs, such as I Am the Eternal Spectator, Can't Bee and Soulitary Vice.

Darkness And Hope (200 061ffe29dd